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Opening reception: Friday, February 27,
6:00 – 8:00 p.m.
Free for BMCM+AC members / $3 non-members
On Friday, February 27th from 6:00 –
8:00 pm, the Black Mountain College Museum + Arts Center (BMCM+AC) will
open the second of three exhibitions celebrating the women of Black
Mountain College and their many accomplishments in the visual arts,
literature, dance and academia. This second exhibition in the series
concentrates on three women who changed the worlds of art, craft, design
and education: Anni Albers, Ruth Asawa and M.C. Richards.
The show includes, paintings, prints, weaving and ceramic works dating
from the 1940s to the 19990s.
 Anni Albers Study for Unexecuted Wallhanging, 1926, 1983 screenprint, from the portfolio “Connections” 21 1/8 x 14 1/8 inches Collection of The Josef and Anni Albers Foundation © 2009 The Josef and Anni Albers Foundation/Artists Rights Society New York
BMC faculty member, Anni Albers
is known for her unique modernist graphic and textile designs, as well
as her articulate aesthetic philosophy. Anni and her husband Josef Albers
came by boat to BMC in the fall of 1933, shortly after the college opened.
They came from the Bauhaus School of Design in Germany which was closed
in 1933 with Hitler’s rise to power. The Alberses remained at BMC
until 1949 and had a lasting influence on the college’s art and design
curriculum. Anni founded BMC’s weaving workshop, and her teaching
approach relied heavily on hands-on experimentation with materials and
a focus on the industrial aspects of textile production. After BMC,
Anni continued her work in textiles and received many commissions, becoming
the most renowned textile artist of the 20th century. She
was the first textile artist to be given a one-person exhibition at
the Museum of Modern Art in 1949. She also made a number of prints that
demonstrate her impressive design sense in a two dimensional format.
A portfolio of these prints is included in this exhibition.
 Ruth Asawa BMC.88/Dogwood Leaf, No Date Watercolor on paper 11 x 15.75 inches Courtesy of the Josef and Anni Albers Foundation
At the age of 16, Ruth Asawa and
her family were interned in a Japanese-American camp on the West Coast.
After her release, she attended Milwaukee State Teachers College. At
he suggestion of fellow students there, Ruth then came to BMC in the
summer of 1946 and stayed until 1949. Over these three years her teachers
included Josef Albers, Ilya Bolotowsky, Max Dehn, Buckminster Fuller
and Merce Cunningham. In the summer of 1947 Ruth studied basket weaving
in Mexico, which influenced her inventive experimentation with wire
sculpture. A successful artist, she received many public art commissions
in San Francisco, where she settled with her husband Albert Lanier,
also a former BMC student, including San Francisco Fountain at
the Grand Hyatt on Union Square, the Mermaid Sculpture at Ghirardelli
Square and the Japanese-American Internment Memorial Sculpture
at the Federal Building Plaza in San Jose, California. Ruth also became
an avid supporter of arts education in San Francisco.
 M.C. Richards Alphabet #3, 1994 Acrylic on paper 60.25 x 40.25 inches Collection of the Black Mountain College Museum + Arts Center Gift of Christina Cowan and Ada Lea Birnie
Mary Caroline (M.C.) Richards
joined the faculty at BMC in 1945. There, she taught writing, translated
plays, danced, studied pottery and founded The Black Mountain Review.
Richards inspired many students by the way she approached art, spirituality,
education, and the whole person. M.C. Richards became one of BMC’s
most popular faculty members in the college’s later years. She wrote:
“I have no criticism of Black Mountain, it was an entirely transforming,
maturing and inspiring experience.” While at BMC, Richards played
an essential part in maintaining community balance in the wake of Josef
and Anni Albers’ resignation and the rise of Charles Olson as the
college’s leader. Richards, a prolific writer and poet also pursued
a career in pottery and wrote the influential book Centering in Pottery,
Poetry and the Person. She directed plays at Black Mountain, and
she translated Erik Satie’s play The Ruse of Medusa. Richards
was among those who participated in the first “Happening,” entitled
Theater Piece No. 1, a multi-media experimental performance orchestrated
by John Cage in the school’s dining hall.
RELATED PROGRAMMING
Workshop
Saturday + Sunday, March 21st
and 22nd
The Awakened Eye: Explorations
in 3 Dimensions - This 2 day workshop, taught by Ati Gropius Johansen,
is based on the legendary Bauhaus foundation design course. Using simple
materials like paper and wire we’ll create dynamic new forms. Ati
is a graduate of Black Mountain College where she studied with Josef
Albers and daughter of Walter Gropius, founder and director of the Bauhaus
School of Design in Germany.
Asheville BookWorks, 428 1/2 Haywood
Road, West Asheville
Lecture/Presentation
Wednesday, April 1, 7:30 p.m.
Anni Albers + Ruth Asawa: Two
Lives in Art - Brenda Danilowitz, chief curator of The Josef and
Anni Albers Foundation will speak about Anni Albers and Ruth Asawa,
two artists with extraordinary lives as innovative artists and dedicated
educators.
BMCM+MAC, 56 Broadway – Downtown
Asheville
Multi-Media / Interdisciplinary
Performance
Saturday, April 25, 9:00 pm
Black Whole – An immersion
in video, sound and dance exploring the connections between life and
landscape. Featuring Brooklyn-based dance artist Janice Lancaster and
video projection designer Adam Larsen. “Theramin Garden” by Moog
Music with Jason Daniello.
Co-sponsored by the City of Asheville,
Moog Music + Centering on Children
Food Lion Skate Park, 3 Cherry St.
– Downtown Asheville
$10 / $7 BMCM+AC members, city employees
and students w/ID. Kids under 12 free
Film Screenings:
Three Documentary films about the artists in Triangle
Thursday, June 11, 7:00 p.m.
M.C.
Richards: The Fire Within by Richard Kane + Melody Lewis-Kane
Ruth
Asawa: Of Forms and Growth by Robert Snyder
Josef
and Anni Albers: Art is Everywhere by Sedat Pakay
Fine Arts Theatre, 36 Biltmore Ave.
$12 / $10 for BMCM+AC members + students
w/ID
Total running time: 1 hr. 46 min. There
will be two short intermissions between films.
For more information
contact Alice Sebrell at 828-350-8484.
Support for this project
has been generously provided by: BlackBird Frame & Art, City of
Asheville, Centering on Children, Betty Clark, Ellen Clarke, Cloth Fiber
Workshop, Sarah Corley, Beverly Devereux, Mary Charles Griffin, Deborah
Haynes, Elizabeth Holden, Camphill Village, Mary Lynn Kotz, Moog Music,
Susan Rhew Design, Cherry L. Saenger, Pat Samuels, Barbara Sayer, Juanita
Sommerville, Judy Swan, Susan B. Turner and UNC Asheville. |